Flora Manteola (born August 12, 1936) is an Argentine architect. She is known for her works that focus on the reuse of buildings and educational projects.^[1] Manteola also teaches at the University of Buenos Aires.

Manteola was born in 1936 in Cordoba, Argentina. She obtained her architecture degree at the University of Buenos Aires in 1962.^[2] Before finishing college, Manteola already founded an architectural studio called MSGSSS (Estudio Manteola, Sánchez Gómez, Santos, Solsona, Salaberry) together with fellow students that included Javier Sanchez Gomez.^[2] This studio would later complete various projects, which are noted for the emphasis on experimental and investigative design.^[2]

Some of the architectural projects she was involved in include the Prourban building. It is a free-perimeter, cylindrical structure that became a landmark in Buenos Aires, where it is known as “El Rulero”.^[3] She was also one of the designers of the ATC Argentina Televisora Color, a building that explored the link between technology and landscape with the urban public space.^[4] She also led the team that designed Evoque Olazabal, a building noted for its curved shape.^[5] Her work on the Banco Municipal de la Ciudad de Buenos Aires is considered part the projects that represent the new generation of architectural design in Argentina.^[6]

Manteola is a tenured professor at the University of Buenos Aires and teaches Project Knowledge and Practice of the Common Basic Cycle of UBA.^[7] She also serves as the coordinator of the university’s Department of Design Disciplines.^[8]

Manteola was the Premio Konex for Architecture in 1992 for her works covering the 1982-1986 period.^[1] She was the first woman to receive the award.^[1] She was also the first woman to be awarded the Premio a la Trayectoria de la Sociedad Central de Architectos.