Peter Kuper (/ˈkuːpər/;[1] born September 22, 1958) is an American alternativecomics artist and illustrator, best known for his autobiographical, political, and social observations.
Besides his contributions to the political anthology World War 3 Illustrated, which he co-founded[2] in 1979 with Seth Tobocman, Kuper is best known for taking over Spy vs. Spy for Mad magazine, which he both wrote and drew from 1997 to 2022. Kuper has produced numerous graphic novels which have been translated into French, German, Spanish, Italian, Portuguese, Swedish, Slovenian and Greek, including award-winning adaptations of Franz Kafka's Give It Up! and the Metamorphosis.
In 1970 Kuper and his childhood friend Seth Tobocman published their first fanzine, Phanzine, and in 1971 they published G.A.S Lite, the official magazine of the Cleveland Graphic Arts Society. In 1972 Kuper traded R. Crumb some old jazz records for the right to publish some artwork from one of Crumb's sketchbooks in a comic titled Melotoons that lasted for two issues.[citation needed]
Kuper has travelled extensively through Latin America, Europe, Africa, the Middle East and Southeast Asia, much of which he documented in his 1992 book, ComicsTrips: A Journal of Travels Through Africa and Southeast Asia.
Spy vs. Spy had passed through various hands after its creator Antonio Prohías retired, but Kuper's version has appeared without interruption since 1997, although the last new edition was published in 2022.[2][8]
Kuper's Eye of the Beholder was the first comic strip to ever regularly appear in the New York Times, and his quasi-autobiography Stop Forgetting To Remember: The Autobiography of Walter Kurtz covers the birth of his daughter, 9/11, and other vicissitudes in his life from 1995 to 2005.
Though permanently based in New York City, Kuper wife and daughter resided in the Mexican state of Oaxaca 2006–2008, where he documented an ongoing teachers' strike and other aspects of Mexico in his sketchbook journal Diario de Oaxaca.[9][10]
Kuper's work in comics and illustration frequently combines techniques from both disciplines and often takes the form of wordless comic strips. Kuper remarked on this, "I initially put comics on one side and my illustration in another compartment, but over the years I found that it was difficult to compartmentalize like that. The two have merged together so that they're really inseparable."[11]
In April 2022, Kuper was reported among the more than three dozen comics creators who contributed to Operation USA's benefit anthology book, Comics for Ukraine: Sunflower Seeds, a project spearheaded by IDW Publishing Special Projects Editor Scott Dunbier, whose profits would be donated to relief efforts for Ukrainian refugees resulting from the February 2022 Russian invasion of Ukraine.[13][14] Kuper contributed political cartoons to the anthology.[14][15]
Kuper won a journalism award from The Society of Newspaper Designers in 2001. His wordless picture story Sticks and Stones was awarded the 2004 gold medal, and his comic "This Is Not A Comic" won a silver medal in 2009 both from the Society of Illustrators. He won another gold medal in the sequential arts category from the Society of Illustrators in 2010.[citation needed] His book Sticks and Stones, The System, Diario de Oaxaca, Ruins won the 2016 Eisner Award and adaptations of many of Franz Kafka’s works into comics including The Metamorphosis andKafkaesque won the 2018 NCS award.[19]
^Irving, Christopher. "Diario de Peter Kuper": Peter Kuper interview from 2009, in Peter Kuper: Conversations, edited by Kent Worcester (Univ. Press of Mississippi, 2016).
