Pelestarian film, preservasi film, atau restorasi film, menggambarkan serangkaian upaya berkelanjutan di antara sejarawan film, arsiparis, museum, sinematik, dan organisasi nirlaba untuk menyelamatkan stok film yang membusuk dan melestarikan gambar yang mereka bawa. Secara luas, preservasi memastikan bahwa sebuah film akan terus ada sesuai dengan bentuk aslinya sebanyak mungkin.
Bacaan tambahan
- Audiovisual archives : a practical reader / edited and compiled by Helen P. Harrison for the General Information Programme and UNISIST. - Paris: UNESCO, 1997.
- Cave, D. (2008). "Born digital" – Raised an orphan?: Acquiring digital media through an analog paradigm. The Moving Image. 8(1), 1–13.
- Crofts, C (2008) Digital Decay. The Moving Image. 8 (2), xiii-35.
- Gracy, K. F. (2007). Film preservation: Competing definitions of value, use, and practice. Chicago: The Society of American Archivists.
- Karr, Lawrence. Edited by Barbara Cohen- Stratyner.: Film Preservation at Preserving America's Performing Arts. Papers from the conference on Preservation Management for Performing Arts Collection. April 28-May 1, 1982, Washington, D.C. Theater Library Association.
- Kula, Sam. Appraising Moving Images. Assessing the Archival and Monetary Value of Film and Video Records. Scarecrow Press, 2003.
- McGreevey, Tom: Our Movie Heritage. Rutgers University Press, 1997.
- Paul Read and Mark-Paul Meyer (Editors:): Restoration of motion picture film. Oxford, 2000. ISBN 0-7506-2793-X
- Slide, Anthony: Nitrate Won't Wait: A History of Film Preservation in the United States, McFarland and Company, 1992.
- Walsh, D. (2008). How to preserve your films forever. The Moving Image. 8(1), 38–41.
Pranala luar
