Berikut ini adalah daftar film yang tidak lengkap atau hilang sebagian. Untuk film-film yang tidak memiliki cuplikan rekaman, termasuk trailer yang diketahui masih bertahan, lihat artikel List of lost films.
1917 theatrical film poster showing Theda Bara in her best known role, in Cleopatra, which is considered a partially lost filmBara in a dance scene in Cleopatra, from a surviving film still
The first film adaption of Lewis Carroll's book originally ran about 12 minutes, according to the British Film Institute.[1] The Institute's restoration is 9 minutes and 35 seconds long.
First dramatic Sherlock Holmes adaptation on film and the screen debut of actor Maurice Costello. All that exists are short strips of scenes deposited for copyright purposes in the Library of Congress.
Danish film that initiated a decade of anti-Mormon propaganda films in America. Only about half of the 60-minute feature has been found, a copy of which is preserved at the LDS archive in Salt Lake City.
British documentary depicting celebrations in India for the coronation of George V. Originally released in color, but now only available in black & white; surviving print is about two hours, but the original cut may have been as long as six hours.
La Cineteca del Friuli film archive has the first of 13 episodes of the second American serial ever made. The EYE Film Institute Netherlands also has print fragments.
This is believed to be the longest serial ever made, 23.8 hours long with 119 12-minute episodes. Surviving episodes are scattered among various film archives, including the Library of Congress, the National Film and Television Archive and the International Museum of Photography and Film at George Eastman House.
Cody stars as himself in this early movie version of the Indian Wars; also stars Nelson Appleton Miles and Black Elk; released 1917. One minute and 58 seconds of footage is held by the McCracken Research Library or the Buffalo Bill Historical Center, and can be viewed online (see reference).
The story concerns Helen Marie, a woman on the run from the St. Petersburg police, who plots to assassinate the Tsar. Only about 45 seconds of this film exists. These fragments contain an extra mistakenly said to be Leon Trotsky. In fact, Trotsky was not yet in the United States when this was filmed.
Pro-armaments epic and the most expensive production undertaken by Vitagraph. One reel reported in Europe; fragments of battle scenes, culled from stock shot libraries, reside at George Eastman House.
Still frames from several scenes have survived and incorporated into the print compiled by the Museum of Modern Art in New York. These scenes were probably part of the original cut of the film but eliminated by Griffith in subsequent reissues.
It was considered a lost film, thought to have been destroyed in a vault fire. A "substantially complete" print with Dutch intertitles, missing a few scenes, was found in Amsterdam in 1992 and restored at George Eastman House.
Only 60 seconds of footage remain of Laurel's first film.[butuh rujukan] Part of the short lives on in scenes inserted into the 1922 extant short Mixed Nuts.[50]
Two prints were found of this previously lost comedy short, one in 1998 and one in 2002, and were combined to create a restored version. However, some scenes are still missing.
A 24-minute segment was restored and edited from a surviving reel in Soviet Armenia. It released in 2009 by the Armenian Genocide Resource Center of Northern California.
The original film was in four episodes with a film length of 5.250 meter (17.220 ft). The most complete reconstruction is 3.525 meter (11.565 ft) long.
The serial was considered to be lost in entirety. However, most episodes have been found, although many are incomplete. The Masked Rider is considered to be the first film serial about a masked cowboy.
About three minutes survive, including two clips in compilation films released by Paramount: The House That Shadows Built (1931) and Movie Memories (1935).
Only eight minutes of this 67 minute feature, which Henri Langlois cited "as important as Eisenstein's Strike",[73] survive at the Cinemathèque Française.
A "copy comprising about three quarters" of this Australian production was found and combined with already known footage to produce a near-complete version. A five-minute sequence is still missing.
A five-minute fragment is housed in the WPA Film Library and the British Pathé film archive. The latter allows a clip of the final scene to be viewed online.[79]
Thirty-eight seconds of footage from this Western, found in a mislabeled tin, were the subject of an investigation in a 2006 episode of the PBSseriesHistory Detectives.
The entire film was screened at the Museum of Modern Art in 1947. Reel 3 is held at George Eastman House. A complete print is reputedly held at the Gosfilmofond in Moscow.
Long thought lost completely, it has been restored from various sources, but still lacks 10 minutes of the roughly one hour and 50 minute original running time.
The UCLA Film and Television Archive, under the supervision of Robert Gitt and Richard Dayton, restored the film from the 35mmnitrate filmoriginal camera negative in 1985.[94] As the final two reels were missing, Gitt and Dayton used "an original two-color Technicolor camera" to shoot a sunset on a California beach, "much as the film's original closing must have looked."[94]
An incomplete 16mm reduction positive, missing the first third, resides in the Library of Moving Images. Turner Classic Movies financed a restoration using surviving footage from the film and trailers, still photos and title cards to bridge the gaps.
The original version encompassed 32 reels, which ran for either seven and a half or nine hours (sources disagree). In 1924, Gance edited it down to two and a half hours for general distribution. A modern reconstruction from five different versions, available on DVD, is nearly four and a half hours long.
Alfred Hitchcock received his first screen credit, as a writer and assistant director. Three of the six reels were found in New Zealand in August 2011.
Initially running 9 and a half hours, the film was cut by Von Stroheim to just under four hours, and then trimmed by the studio to 140 minutes of surviving footage. The remaining footage was later accidentally discarded by a janitor while cleaning the vaults. Today the 140-minute version survives, along with a few stills from some of the lost scenes.
Originally running nine reels, it was cut to five reels to gain approval from New York censors. The surviving copy is based on the censor-approved edited version; the original nine-reel version is considered lost.
For decades, the excerpt included in the 1957 compilation film The Golden Age of Comedy was thought to be the only remaining footage, until the first reel (featuring a boxing match) was found in the late 1970s, but scenes featuring Eugene Pallette, and a final climatic gag showing a cop receiving a pie in the face were missing until the second reel was discovered in a private collection in June 2015.
This Australian film was reconstructed from incomplete Australian and American prints and other sources. The remaining gaps were covered by new titles and montages of stills.
About a quarter of the film was believed to have been lost forever prior to 2008. A complete print was rediscovered in Argentina in 2008, but two scenes were too damaged to repair, and thus are technically still "missing" when it comes to viewing the film. However, 99% of the film is now intact and fully restored.
Gance's film was released in a number of versions with a wide range of running times, up to nine hours and 22 minutes for the version définitive. The latest reconstruction by film historian Kevin Brownlow lasts five hours and 32 minutes.
Part of the BFI 75 Most Wanted missing films. The British Film Institute has noted, however, that an "incomplete and deteriorating nitrate print ... was apparently viewed prior to July 2008".[130]
One reel was found in a Russian film archive and has been shown on Turner Classic Movies. Another short excerpt was found in a Swedish newsreel and has been shown at Filmhuset in Sweden.
Includes a bit part by Bela Lugosi, and the only known screen appearance by George Herriman, the creator of the acclaimed comic strip Krazy Kat. The Library of Congress has a "digital file containing 300 ft. 16mm fragment from one reel (r1) loaned by collector".[133]
A few fragments and a trailer survive at the UCLA Film and Television Archive. A six-minute reel was found in the Portuguese Archive and copied to safety stock.
Stroheim's first rough cut was 11 hours long. He intended to make it a two-part film, with the second part to be called The Honeymoon. The Honeymoon is presumed lost.
After the premiere of this part-talkie, Warner Bros. made extensive revisions, including cutting about half an hour. The original 135 minute version is believed to be lost. A partial restoration is 108 minutes long.
The first talkie to win an Oscar for Best Picture. The scenes shot in two-strip technicolor did not survive in their original color form, only in black-and-white.
(All-talking) The first all-Technicolor, all-talking feature, only a black-and-white version remains, although a very brief clip of color footage was found in a toy projector.
(All-talking) One short clip included in Winner Take All (1932) with James Cagney. Also, silentera.com states that an incomplete silent trailer also exists.
(Part-talkie) Only montage sequences by Slavko Vorkapich survive. One of these has been issued on a DVD entitled "Unseen Cinema – Early American Avant Garde Film 1894-1941", curated by Bruce Posner and produced by David Shepard.
Originally released as a musical as Waiting for the Bride or Waiting at the Church in Technicolor, it was re-released under the new title with the musical parts cut. Only an incomplete black-and-white copy of the cut version seems to have survived.[butuh rujukan] ||
Originally released at 70 mins., this was re-cut to less than 40 in the 1940s under the title of "John the Drunkard." Only the latter version survives at the Library of Congress.
For many years, Deluge was thought to be a lost film, but a print dubbed in Italian was found in a film archive in Italy in the late 1980s. Before the discovery, the only part of the film known to have survived was the impressive footage of the tidal wave destroying New York City, which was used in the Republic Pictures serials Dick Tracy vs. Crime, Inc. (1941) and King of the Rocket Men (1949).
The most complete existing version of this film runs 96 minutes, compared with its original running time of 117 minutes upon submission to the BBFC. A reconstructed version using extant film, production stills, and extracts from the script is available on DVD.
Capra's initial 210-minute version was cut down to 132 minutes after a preview screening of the film went badly. In his autobiography, Capra claims to have personally destroyed the first two reels. Subsequent re-releases were further edited to downplay allegedly communist elements, as well as hints of Swinging and various scenes which were felt to present the native children in too positive a light. While a complete soundtrack of the original 132-minute release has survived, no complete print is known to exist. A restoration substituted still photos and individual frames for the seven minutes of missing footage.
Mieshi Bando Donguriboya Masako Fujimura Akiko Fujimura Mari Ko
A seriously compromised print of Earth was discovered in Germany in 1968. It suffers from nitrate damage and includes German subtitles. It is missing its first and last reel. The original film was 142 minutes long; this version runs 93 minutes. A 119-minute version of the film, with subtitles in Russian, was discovered in Russia around the turn of the millennium. It too is missing the last reel.[158]
For its 60th Anniversary DVD release in 2000, Disney's manager of film restoration, Scott MacQueen, supervised a restoration and reconstruction of the original 125-minute roadshow version of Fantasia. The visual elements from the Deems Taylor segments that had been cut from the film in 1942 and 1946 were restored, as was the intermission. However, the original nitrate audio negatives for the long-unseen Taylor scenes had deteriorated several decades earlier, so Disney brought in voice actor Corey Burton to rerecord all of Taylor's lines. Although it was advertised as the "original uncut" version, the Sunflower edit in Beethoven's Symphony No. 6 made in 1969 was maintained. In this version, it was accomplished by digitally zooming-in on certain frames to avoid showing the black centaurette characters.
According to the Toho Studios introduction to the 1952 re-release of this film, 1,845 feet (17 minutes) were cut in 1944 due to government demands. The missing footage could not be found for the 1952 re-release and is considered lost.
Placed on the BFI 75 Most Wanted list of lost films. A cut-down version titled Be Kind Sergeant was later offered for sale on eBay.[160] A two-and-a-half minute trailer also survives.[161]
Kurosawa wanted the original 265-minute version to be shown in two parts. When the studio balked, the film was cut to 180 minutes. After the poorly-received premiere, the picture was cut, against Kurosawa's wishes, to 166 minutes. No print of the 265-minute version is known to exist; Kurosawa supposedly spent a week looking through the studio archives for the original cut when he returned to Shochiku studios 40 years later to make Rhapsody in August.
Huston had high hopes for the movie, even considered the original two-hour cut of the film as the best he had ever made as a director. After a power struggle at the top of MGM management, the film was cut from a two-hour epic to the 69-minute version released to theaters, in response to its alleged universally disastrous previews. It was never released as an "A" feature but was shown as a second-feature "B" picture. Both Huston and star Audie Murphy tried unsuccessfully to purchase the film so that it could be re-edited to its original length. Huston did not waste any time fighting over it, as he was focused on the pre-production of his next picture, The African Queen. The studio claimed that the cut footage was destroyed, probably from the 1967 MGM vault fire. Huston was, later, asked by MGM in 1975 if he had an original cut of the film which the studio wanted to release. He had actually struck a 16mm print, but, by that time, it had been lost. Unless there is an undiscovered copy of the uncut version, The Red Badge of Courage will never be viewed as John Huston intended.
The Australian National Film and Sound Archive has what it believes is the 53 minute version edited for television, but is still searching for the full 69 minute original.
Originally premiering at 181 minutes, Warner Bros. cut the film down by about 27 minutes for general release. The 1983 restoration included soundtrack from this cut and a few establishing shots, with stills filling in the rest. A complete print is rumored to exist.
In Japan, Nikkatsu, the studio that commissioned the film, released it in two parts, three weeks apart. Part one (running 63 minutes) opened on January 21, 1956, and part two (80 minutes) opened on February 12, both accompanied by B movies. Its total running time of 143 minutes was cut to 116 for later re-release and export, reputedly over Ichikawa's objection. The original 143 minute version is lost.
Television pilot, divided into two theatrical shorts, also titled "The Three Stooges Scrapbook," in 1963, padded with long animated sequences. A portion was also re-printed in black and white and incorporated into the feature The Three Stooges in Orbit (1962). The original television pilot is lost.[164]
It was originally premiered at 192 minutes, then edited to 162 for general release. In the late 1980s, 20 minutes of deleted footage were found in a warehouse which had been slated for demolition, and edited back into the film in 1991. In 2013, the remaining lost roadshow footage was tracked down as part of a restoration effort to return the film to its original release length. A majority of the scenes were complete with sound and picture, while some scenes were either audio- or visual-only, as they were derived from original 70mm roadshow prints that were themselves cut down (the original elements have long disappeared).
This short film was originally shot in the 70mmTodd-AO widescreen process. Eleven 70mm prints were created, but none survive. The film exists in a 16mm version only.
Film was part of an exhibit in the 1964 New York World's Fair. 3 minutes of the 1964 version was recently found in a home movie held at NYU's Moving Image Archive.
At least one completed sequence from this film, in which "Blondie" foils Tuco with the aid of a Mexican prostitute, was cut from all versions of this film (including the Italian premiere version), and is now believed to be lost. All that remains of this sequence is a snippet of footage used in a French trailer for the film, as well as a small number of production photos.
One of the longest films ever publicly screened, this ran for close to 25 hours at The Filmmaker's Cinemathèque in New York City on December 15–16, 1967. Extant data regarding the order of reels, films that still remain and projection information do not allow for a full reconstruction.
The original negative is thought to be lost and the original Korean-language version only exists in a 48-minute fragment. However, MGM owns a complete 35mm interpositive and textless 35mm elements for the opening and ending titles, and was able to reconstruct the AIP-TV English dubbed US version in CinemaScope.
After the original premiere, Kubrick cut 24 minutes (also adding title cards and a small insertion at the "Dawn of Men" sequence). Seventeen minutes of cut footage were discovered in a Kansas salt mine where some motion pictures are archived.
Two entire stories and a flashback sequence were cut from the final release print at the studio's insistence. Some, but not all, of the missing parts are available on laserdisc and DVD releases.
The film was shortened after its premiere from two and a half hours to 119 minutes. In 1996, the original version was restored, though most of the previously deleted scenes ended up re-dubbed and one of the deleted scenes, A Step in the Right Direction, is presumed lost.
After the original premiere, Hong Kong censors demanded that some of the footage be trimmed, including more graphic violence, and an explicit brothel scene in which Bruce Lee's character makes love to a Thai prostitute (also featuring Lee's only implied nude scene in his career). The missing footage has been rumored to still exist.
Many versions of this film exist (the best known and most widely available being the 157 minute version), but several scenes are known to have been cut from every release version, and possibly survive only through production stills. These include a scene in which John is forced to march across a desert without water (similar to Leone's previous film, The Good, the Bad and the Ugly), and a scene in which Dr. Villega is tortured for information by Colonel Reza.
This film was unusually graphic for the time, and many cinema machinists made their own cuts. As a result, some scenes are missing in most versions of the film, and the sound has been completely lost from certain scenes.[173][174][175][176]
The original cut of The Wicker Man is lost.[177] European distributors began a Facebook campaign in 2013 to find missing material from the film, which culminated in the discovery of a 92-minute 35 mm print at the Harvard Film Archive. This print had previously been known as the "Middle Version" and was itself assembled from a 35 mm print of the original edit Robin Hardy had made in the United Kingdom in 1973, but which was never released.[178]
Kubrick cut a scene at the end, which was a discussion about the disappearance of Jack's frozen body. The scene was cut soon after being released in theaters, and the footage was apparently destroyed by the studio, but is rumored to be in the possession of Kubrick's family.
The original cut was about 70 minutes long but due to a fire only 36 minutes of the film survived. The 36 minute cut has been shown at several film festivals. It has never been officially released, but is rumored to be in Tarantino's possession.
^Birchard, Richard S. (2009). Cecil B. DeMille's Hollywood. University Press of Kentucky. hlm. 28. ISBN0813138299. Diakses tanggal February 25, 2013. Unfortunately, only two reels of the original six reels of The Devil-Stone are known to survive in the American Film Institute Collection in the Library of Congress.
^"Crown v. Stevens (1936)". BFI Screenonline. His following assignment, The Man Behind The Mask (which does exist, but in a much truncated form with a private collector) was released only three weeks after Crown ...
^The Good, the Bad & the Ugly (2-Disc Collector's Edition) (Reconstructing The Good, the Bad and the Ugly) (DVD). Los Angeles, California: Metro-Goldwyn-Mayer. 1967.
^The Good, the Bad & the Ugly (2-Disc Collector's Edition) (The Sorroco Sequence: A Reconstruction) (DVD). Los Angeles, California: Metro-Goldwyn-Mayer. 1967.
^Duck, You Sucker, AKA A Fistful of Dynamite (2-Disc Collector's Edition, Sorting Out the Versions) (DVD). Los Angeles, California: Metro-Goldwyn-Mayer. 1972.
^Celluloid Crime of the Century, featurette documentary on the 2003 Anchor Bay DVD edition of The Last House on the Left
