Brian Ferneyhough

Brian Ferneyhough
	;
Biografi
Kelahiran	16 Januari 1943 (81 tahun); Coventry
Data pribadi
Pendidikan	Royal Academy of Music ; Royal Birmingham Conservatoire (en)
Kegiatan
Pekerjaan	komponis, pedagogue (en)
Bekerja di	Universitas Stanford ; Universitas Chicago ; Hochschule für Musik Freiburg (en)
Genre	Opera dan musik klasik
Murid	Toshio Hosokawa, Haukur Tómasson (en) , Anders Hillborg (en) , Chaya Czernowin (en) dan Kaija Saariaho
Instrumen	Trompet
Karya kreatif
	Karya terkenal String Quartet No. 2 (en) ;
	Penghargaan (2007) Ernst von Siemens Music Prize (en) ; Chevalier des Arts et des Lettres (en) ; Royal Philharmonic Society Music Awards (en) ;

Brian John Peter Ferneyhough (/ˈfɜːrnihoʊ/;^[1]^[2] lahir 16 Januari 1943) adalah seorang komponis Inggris, yang bermukim di California sejak 1987. Ferneyhough biasanya dianggap sebagai figur utama gerakan New Complexity.^[3]^[4] Ferneyhough mengajar komposisi di Hochschule für Musik Freiburg dan University of California, San Diego. Ia juga mengajar di Universitas Stanford dan menjadi dosen tetap pada kursus-kursus musim panas di Darmstädter Ferienkurse.

Daftar pustaka

Ferneyhough, Brian. Brian Ferneyhough by Brian Ferneyhough. Paris: L'Age d'homme OCLC 21274317 (French)

Referensi

^ Matthias Kriesberg, "A Music So Demanding That It Sets You Free" The New York Times (8 December 2002). "Ferneyhough (pronounced FUR-nee-ho)"
^ Pronouncing Dictionary of Music and Musicians Diarsipkan 5 May 2010 di Wayback Machine. "FUR-nih-ho"
^ Annie Darlin Gordon (19 November 2012). "Brian Ferneyhough's Cassandra Dream Song (1970)". Diarsipkan dari versi asli tanggal 15 February 2013. Diakses tanggal 25 January 2013.
^ "Archived copy". Diarsipkan dari versi asli tanggal 2013-11-01. Diakses tanggal 2013-01-25.

Sumber

Boros, James; Toop, Richard, ed. (1995). The Collected Writings of Brian Ferneyhough. Amsterdam: Harwood Academic Publishers. Review by Ian Pace, Tempo, January 1998
Feller, Ross Alan (1994). Multicursal Labyrinths in the Work of Brian Ferneyhough (Tesis DMA thesis). University of Illinois Urbana-Champaign. OCLC 34051107. http://hdl.handle.net/2142/19574.

Bacaan tambahan

Bortz, Graziela. Rhythm in the music of Brian Ferneyhough, Michael Finnissy, and Arthur Kampela : a guide for performers. Ph.D. Thesis, City University of New York, 2003.
Duncan, Stuart. "Re-complexifying the Function(s) of Notation in the Music of Brian Ferneyhough and the 'New Complexity' ". Perspectives of New Music 48, no. 1 (Winter 2010): 136–172.
Pace, Ian (January 1998). "Review: [untitled]". Tempo. New Series (203): 45–48, 50–52. JSTOR 946283. Reviewed works: Brian Ferneyhough – Collected Writings, edited by James Boros and Richard Toop. Ferneyhough: String Quartet No. 4; Kurze Schatten II; Trittico per G. S.; Terrain, Arditti Quartet with Brenda Mitchell (sop); Magnus Andersson (gtr); Stefano Scodanibbio (db); Irvine Arditti (vln) with ASKO Ensemble, c. Jonathan Nott. Disques Montaigne MO 7 82029. Ferneyhough: Prometheus; La Chute D'Icare; On Stellar Magnitudes; Superscriptio; Carceri d'Invezione III. Luisa Castellani (voice); Félix Renggli (fl); Ernesto Molinari (cl); Ensemble Contrechamps, c. Giorgio Bernasconi, Zsolt Nagy, Emilio Pomarico. ACCORD 205772.
Rosser, Peter. "Brian Ferneyhough and the 'Avant-Garde Experience': Benjaminian Tropes in Funérailles". Perspectives of New Music 48, no. 2 (Summer 2010):114–151.
Schick, Steven. "Developing an Interpretive Context: Learning Brian Ferneyhough's Bone Alphabet" (Subscription access). Perspectives of New Music 32, no. 1 (Winter, 1994): 132–153.
Tadday, Ulrich (ed.). "Brian Ferneyhough". Munich: Edition Text+Kritik in Richard Boorberg Verlag, 2008. (German)
Tadday, Ulrich (2008). "Brian Ferneyhough". Musik-Konzepte. Neue Folge (dalam bahasa Jerman). München: Edition Text + Kritik (140). ISBN 978-3-88377-918-8.
Toop, Richard. "Brian Ferneyhough's Lemma-Icon-Epigram". Perspectives of New Music 28, no. 2 (Summer, 1990): 52–100.
Toop, Richard. "'Prima le Parole...' (On the Sketches for Ferneyhough's Carceri d'invenzione I–III)". Perspectives of New Music 32, no. 1 (Winter, 1994): 154–175.
Whittall, Arnold. "Connections and Constellations". The Musical Times 144, no. 1883 (Summer): 23–32.
Williams, Alastair. "Adorno and the Semantics of Modernism". Perspectives of New Music 37, no. 2 (Summer 1999): 1–22.