User:Colin M/Score Examples

Examples from Minor scale:

{ % ##f := false \override Score.TimeSignature #'stencil = ##f \relative c' { % force bar line after 7th note \clef treble \time 7/4 c4^\markup { C natural minor scale } d es f g aes bes c2 } }
{ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 7/4 c4^\markup { C major scale } d e f g \override NoteHead.color = #red a \override NoteHead.color = #black b c2 \bar "||" \time 9/4 \override NoteHead.color = #red a,4^\markup { A natural minor scale } \override NoteHead.color = #black b c d e f g a2 } }
{ \override Score.TimeSignature #'stencil = ##f \relative c' { % Another trick for hiding bar lines \clef treble \time 7/1 \hide Staff.TimeSignature <a c e>1_\markup i <b d f>_\markup ii° <c e gis>_\markup III+ <d f a>_\markup iv <e gis! b>_\markup V <f a c>_\markup VI <gis! b d>_\markup vii° } }

Examples from Cadence (using Image frames):

{ \new PianoStaff << \new Staff << \new Voice \relative c'' { \stemUp \clef treble \key c \major \time 4/4 d2 b c1 } \new Voice \relative c' { \stemDown f2 d e1 } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key c \major \time 4/4 a2 g g1 } \new Voice \relative c { \stemDown d2 g, c1 \bar "||" } >> >> }
Perfect authentic cadence (V–I with roots in the bass parts and tonic in the highest voice of the final chord): ii–V–I progression in C major, four-part harmony (Benward & Saker 2003, p. 90).
{ \override Score.SpacingSpanner.strict-note-spacing = ##t \set Score.proportionalNotationDuration = #(ly:make-moment 1/8) \new PianoStaff << \new Staff << \relative c'' { \clef treble \key c \minor \time 4/4 c4-. d-.(\f\trill \grace {c16 d} es4-.) <b d b'>-. <c es c'> } >> \new Staff << \relative c' { \clef bass \key c \minor \time 4/4 c4-. <g b>-. <c, c'>-. <g g'>-. <c, c'> } >> >> }
A perfect authentic cadence in Beethoven's Piano Sonata No. 8, mvmt. III, mm. 16–17.

In a perfect authentic cadence (PAC), the chords are in root position...

\new PianoStaff << \new Staff << \new Voice \relative c'' { \stemUp \clef treble \key c \major \time 4/4 b1 c } \new Voice \relative c'' { \stemDown g1 g } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key c \major \time 4/4 d1 e } \new Voice \relative c' { \stemDown g1 c, \bar "||" } >> >>

Blah

\new PianoStaff << \new Staff << \new Voice \relative c'' { \stemUp \clef treble \key c \major \time 4/4 d1 e } \new Voice \relative c'' { \stemDown g1 g } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key c \major \time 4/4 b1 c } \new Voice \relative c' { \stemDown g1 c, \bar "||" } >> >>

blah

\new PianoStaff << \new Staff << \new Voice \relative c'' { \stemUp \clef treble \key c \major \time 4/4 b1 c1 } \new Voice \relative c'' { \stemDown g1 g1 } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key c \major \time 4/4 d1 c1 } \new Voice \relative c' { \stemDown g2 f e1 \bar "||" } >> >>
\new PianoStaff << \new Staff << \new Voice \relative c'' { \stemUp \clef treble \key c \major \time 4/4 c1 b } \new Voice \relative c'' { \stemDown g1 g } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key c \major \time 4/4 e1 d } \new Voice \relative c { \stemDown c1 g' \bar "||" } >> >>
{ \new PianoStaff << \new Staff << \new Voice \relative c'' { \stemUp \clef treble \key e \minor \time 4/4 \partial4 a4 b8 a g4 fis e8 fis g4 a b \fermata } \new Voice \relative c' { \stemDown \partial4 d4 d8 dis e4 dis e8 dis e[ g] fis e dis4 } \addlyrics { Lord, with _ Thy grace my _ soul _ re - fresh! } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key e \minor \time 4/4 \partial4 a g8 a b4 b b8 a b4 c fis, } \new Voice \relative c { \stemDown \partial4 fis4 g8 fis e4 b'8[ a] g fis e d c4 b_\fermata } >> >> }
A Phrygian half cadence in Bach's four-part...
{ \new PianoStaff << \new Staff << \new Voice \relative c'' { \stemUp \clef treble \key e \minor \time 4/4 \partial4 a4 b8 a g4 fis e8 fis g4 a b \fermata } \new Voice \relative c' { \stemDown \partial4 d4 d8 dis e4 dis e8 dis e[ g] fis e dis4 } \addlyrics { Lord, with _ Thy grace my _ soul _ re - fresh! } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key e \minor \time 4/4 \partial4 a g8 a b4 b b8 a b4 c fis, } \new Voice \relative c { \stemDown \partial4 fis4 g8 fis e4 b'8[ a] g fis e d c4 b_\fermata } >> >> }
A Phrygian half cadence in Bach's four-part...

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