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Alex Boya is a Bulgarian-born Canadian animator, filmmaker and creative technologist based in Montreal. He is known for surreal, hand-drawn animated shorts produced with the National Film Board of Canada (NFB), including Focus (2014), Turbine (2018) and Bread Will Walk (2025).^[1][2] His work has screened at festivals including the Directors’ Fortnight at the Cannes Film Festival, Annecy International Animation Film Festival, the Festival du nouveau cinéma, New Chitose Airport International Animation Festival and Seminci – Valladolid International Film Festival.^{[3][4][5][6][7]}

Festival and press materials frequently associate Boya with the term "genomic animation" to describe his practice of distorting biological forms to explore identity, transformation and hybrid beings.^[8][9]

Boya was born in Bulgaria and later settled in Montreal, Quebec.^[8] In an interview with Quebec industry publication Qui fait Quoi, he stated that he began his career more than a decade earlier as a medical illustrator for institutions including McGill University before moving toward animation.^[10]

He participated in the National Film Board of Canada’s Hothouse mentorship program in 2014, producing his first short film Focus as part of the 10th edition of the apprenticeship scheme.^[11][10] Producer Jelena Popović has noted that she first encountered his work while reviewing student projects at Concordia University’s Mel Hoppenheim School of Cinema, where he studied film.^[12]

Boya first gained attention through the NFB’s Hothouse program. His one-minute short Focus (2014) is described by the NFB as "a cart ride through the mental shopping mall of attention deficit disorder", animated from found audio and produced as part of Hothouse 10.^[13] The film circulated on the festival circuit and in online animation showcases, helping to establish Boya’s interest in sketch-like, hand-drawn imagery and psychological themes.^[14]

During this period he also produced independent short pieces and visual experiments that were shared on platforms such as YouTube and Vimeo, often exploring distorted bodies, mechanical forms and domestic spaces.^[14]

Boya’s next major collaboration with the NFB was the eight-minute short Turbine (2018). The NFB describes the film as the story of a war pilot who crash-lands through his apartment window with his face replaced by an airplane turbine and who has fallen in love with a ceiling fan, prompting his wife to take drastic action to save their marriage.^[15] Festival materials and critical commentary highlight its black-and-white imagery and mix of domestic melodrama with mechanical body horror.^[16][17]

Turbine was screened at events including the Krakow Film Festival and Rendez-vous du cinéma québécois and formed part of wider touring programs of NFB animation.^[16][18] Online coverage of the film has emphasised its surreal and emotionally driven approach; for example, art and culture site This Is Colossal described Turbine as an "extraordinary" short in which a woman negotiates her husband’s transformation into a machine.^[19]

Boya discussed the film’s development and his collaboration with the NFB in a 2018 interview with animation magazine Skwigly.^[20]

After Turbine, Boya developed the short film Bread Will Walk with the NFB. The project grew out of his graphic novel The Mill and took several years of research and production.^[12] The NFB describes the finished film as "a relentless fever dream of fear and loafing", in which a devoted sister flees through a starving city with her brother, transformed into a "bread-turned zombie", while a hungry mob pursues them through twisting streets.^[21] The work combines ink-on-paper animation with photographic bread textures and digital compositing in a single continuous-shot structure.^[12]

Bread Will Walk had its world premiere at the 2025 Directors’ Fortnight (Quinzaine des Cinéastes) at the Cannes Film Festival.^[2][3][22] The director’s biography on the Quinzaine website notes that he coined the term "genomic animation" and situates Bread Will Walk as a continuation of the dystopian and bodily themes of Turbine.^[8] The film was subsequently selected for official competition at the Annecy International Animation Film Festival^[4] and screened at events including the Festival du nouveau cinéma in Montreal, New Chitose Airport International Animation Festival in Japan and Seminci in Valladolid, Spain.^{[5][23][24][25][7]}

Industry coverage has highlighted the film’s combination of dark humour, continuous movement and social commentary. The Hollywood Reporter described Bread Will Walk as a surreal animated short about capitalism and paranoia, noting that Boya wrote, directed and animated the 11-minute film and that the English version is voiced entirely by actor Jay Baruchel.^[26] An NFB news release similarly emphasised Baruchel’s contribution and described the work as a "frenetic, surrealist satire of our dehumanizing society".^[2]

Animation trade publications have also profiled the film. An article in Animation Magazine on the Cannes and Annecy line-ups referred to Bread Will Walk as the latest project in Boya’s body of shorts, produced over five years and using a combination of hand-drawn animation and experimental texturing.^[27] Cartoon industry site Cartoon Brew previously discussed Boya’s broader Mill universe and noted that Bread Will Walk would serve both as a short film and as a pilot for potential further projects.^[28]

In a Q&A with Skwigly published after Cannes, Boya discussed Bread Will Walk in the context of "dystopian absurdity" and the tension between tenderness and grotesque imagery.^[29]

Outside of his core NFB shorts, Boya has developed a larger visual universe around The Mill and Bread Will Walk, including drawings, graphic narrative fragments and short animations that he shares on his personal website and social platforms.^[30] A 2025 profile by digital-arts company Wacom, for which he is a featured creator, describes him as a Bulgarian-born, Montreal-based animator known for surreal, hand-drawn storytelling and notes his long-term collaboration with the NFB.^[31]

Boya has given talks and presentations on his working methods, including discussions of "genomic animation" as a way of using observational drawing, process documentation and human–computer interaction as part of an expanded animation practice.^[32][9]

Critics and festival programmers have described Boya’s work as surrealist and sometimes Kafkaesque, characterised by bodily transformation, domestic spaces and mechanical or industrial imagery.^{[8][19][9][6]} His films frequently employ continuous camera movement or extended shots in which the environment appears to wrap around the characters, while figures and settings undergo constant metamorphosis.^[12][15] Thematically, they explore subjects such as consumption, propaganda, intimacy and psychological strain, often combining dark humour with elements of horror and social satire.^[21][26][33]

Visually, Boya works primarily with hand-drawn 2D animation in graphite and ink on paper, sometimes drawing on techniques from etching and medical illustration.^[14][17] His later projects layer these drawings with scanned textures, photo collage and digital compositing while maintaining a rough, sketch-like surface. NFB producer Jelena Popović has described his approach to Bread Will Walk as a kind of cinematic "kneading" of the medium, in which the continuous-shot structure is treated as an expanding fresco.^[12]

• Carreaux (Tiles) (2012) – animated short that screened at the YoungCuts Film Festival.^[34]
• Focus (2014) – 1-minute short produced through the NFB’s Hothouse 10 programme.^[13][11]
• Turbine (2018) – 8-minute short produced by the NFB.^[15]
• Bread Will Walk (2025) – 11-minute short produced by the NFB.^[21]

Boya’s work has received attention from international film and animation press. In advance of Cannes 2025, Variety highlighted Bread Will Walk as one of the Canadian titles at the festival and among short films to watch at both Cannes and Annecy.^[35][36][37] A separate feature on Canadian animation at Annecy and Cannes singled him out among twelve Canada-based animation talents to watch, citing Bread Will Walk as an experimental short that premiered at Directors’ Fortnight and went on to compete at Annecy.^[38] Another article on NFB and Telefilm’s support strategies at Annecy noted Boya among the Canadian directors represented in the festival’s official programme.^[39]

Bread Will Walk has also been covered by outlets such as The Hollywood Reporter, Animation Magazine and Animation World Network in their reports on the Cannes and Annecy line-ups and on New Chitose’s competition selection.^[26][27][25] Boya’s broader practice and the development of The Mill universe, including the Giphy channel and associated short-form pieces, have been profiled by Cartoon Brew.^[28] The QFQ profile on his career at Cannes 2025 emphasised his trajectory from medical illustration to NFB director and his view of animation as a universal language.^[10]

• Official website